Inhaling for a good breath support, through the mouth or the nose?
Inhaling through the mouth can be fast and leads more naturally to a good deep breath, but hitting the back of your mouth with dry and cold air doesn't seem to be the most healthy thing to do.
On the other hand inhaling through te nose is gentle but slow.
What is the best way to inhale for a good breath support?, through the nose or the mouth? Or is it more complicated?
EDIT: As I clarified in the comments I'm interested in both voice and woodwinds (recorder). If you think there is a difference I would appreciate your input. Thanks!
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I have to respectfully disagree with Todd here. Speaking as one who has several MDs in his family, I submit that there is little reason to fear health issues of any kind from mouth breathing (other than bad breath overnite) indoors, at normal indoor temperature ranges. Playing a woodwind is not singing: the vocal cords are not in play.
In all my years of playing clarinet&sax, I don't recall any teacher ever telling us not to mouth-breathe. If anything, breathing in thru your mouth forces you to relax your embouchure briefly, avoiding the risk of muscle cramp.
If you find it easy and comfortable to inhale thru your nose, by all means go ahead. But I strongly doubt there's a medical-physical reason to avoid mouth-breathing.
Long time trombone player here. I've always breath in through the mouth. Along the sides. This way it is quick and you never miss any parts. Also, as a brass member I always need a full breath to play with the shear power i am expected to play with. Breathing through the nose simply doesn't give the same effect.
I have disciplined myself to nasal breath 24/7, about wind instruments, I play clarinet,, I'm a jazz musician and don't read music, when improvising I now breathe through my nose, benefits are OK bur my favourite one is when I breath through my nose between phrases I now leave a bigger gap, that is ca good thing, makes me relaxed and I have a little extra time to construct my next phrase, as has been said so many times, a silence is as much a musical device as the notes.
In the book Great Singers on Great Singing by Jerome Hines, he quoted 3 (among many other) famous opera singers who had 3 different opinions:
Gail Robinson:"I take air through my mouth and nose. But if I have time, I prefer to breathe through my nose, because it opens all the resonating chambers and gives a reserve of breath which I just don't get through breathing with the mouth. Breathing through the nose also avoids cold air and dryness of the throat. Everything seems to open up when you breathe through the nose."
Louis Quilico:"Never breathe only by the mouth, and never breathe only by the nose."
Kurt Baum:"I am strictly a mouth breather.....the nose is only there to avoid germs. If you take air gently through the mouth, you have an open throat. With a heavy breath you tighten the throat. No gasping...ever! Breathing should be like a massage on the vocal cords.....never use a sharp or heavy attack...it has to be gentle."
I read a very good book on singing which agrees with you that inhaling through the nose when possible is preferred, to make the air passing over the vocal cords on inhale less dry. Dry vocal cords are bad. At the same time, as you note, inhaling through the nose is much slower than through the mouth.
I handle this by inhaling as rapidly through the nose when I can, predicting when I need to breathe, and when necessary (to fill my lungs in a short amount of time) I inhale through the mouth. Like piano fingering, I find it takes planning, preparation, and practice to optimize breathing for singing.
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