bell notificationshomepageloginNewPostedit profiledmBox

Hoots : Role of muscle memory vs. ear-based micro-adjustments in non-fixed-note instruments Many instruments have fixed notes tuned according to equal temperament, but some don't. The most common examples are the violin family, the - freshhoot.com

10% popularity   0 Reactions

Role of muscle memory vs. ear-based micro-adjustments in non-fixed-note instruments
Many instruments have fixed notes tuned according to equal temperament, but some don't. The most common examples are the violin family, the trombone, and the human voice, but one can also find fretless guitars and bass guitars and I'm sure there are even more examples of non-fixed-note instruments.

Yesterday I had a debate with my guitar teacher about the role of muscle memory vs ear-based micro-adjustments in non-fixed-note instruments. He is inclined to think that well-trained players can hit the right note instantly, based solely on muscle memory. I am more inclined to think that ear-based micro-adjustments after the note is first hit are crucial, even if the player may be unaware that they are doing this (e.g., on a violin, the pitch can be changed just by a subtle rolling of the finger, or even by pressing slightly softer/harder to change the tension on the string).

This question could be answered scientifically by having well-trained musicians perform a melody with and without being able to hear themselves, and comparing the results. Is anyone aware of any such studies? I would also be interested in the perspective of musicians who play such instruments.


Load Full (2)

Login to follow hoots

2 Comments

Sorted by latest first Latest Oldest Best

10% popularity   0 Reactions

For the violin it is a combination of both muscle memory and micro-adjustments. The violinist is always adjusting as she plays.

To the great virtuoso Jascha Heifetz is attributed the following quote: "I play as many wrong notes as anyone, but I fix them before most people can hear them."


10% popularity   0 Reactions

Like the comments said, it's a combination of both. As a trombone player, we have the muscle memory to hit notes at what should be in tune, but what is in tune may also vary. You tune the notes based on what is in tune in context (surrounding ensemble/accompanist), the tuning will not always be A = 440, so you need to have the ability to hear tuning and micro adjust after hitting the note. You can then remember where that note is in tune and use that memory while you are in the same context.


Back to top Use Dark theme