Cross Dominance - does it effect piano playing ability?
I am quite cross-dominant - in some areas more than others. For instance, I consider myself right-handed, I write right-handed, I'd kick a football with my right-foot, but I play snooker/pool left handed and I'm more dexterous (sinistrous?) at some things with my left-hand. (e.g., I can twirl a stick much better left handed than right handed, but if I need to do precise motor movements I'd use my right hand). For things like sweeping or digging, I'm equally comfortable with either hand.
When playing piano and trying to relax and play fluently, one of my most common errors is that my left hand starts to play right-hand parts, or vice versa. I'm sure there is an element of this for all piano players, what with trying to do two things somewhat independently at the same time, but do any other cross-dominant players suffer especially from this? And what do you do about it? (if anything other than practice, practice, practice!)
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Sounds like your situation is somewhat like ambidextrousness.
You should practice each hands’ part individually, if you have not done so already. When practicing together, focus on one hand (the hand that has harder music). You shouldn’t play the same thing in both hands if you focus on one.
You ability will get better with practice. As Piano players, I am sure we all have had such experiences at some point in our musical journey. Struggling is normal. It doesn't matter which hand one uses to engage in his/her day to day activities. Playing piano depends mostly on for how long you practice.
This has been an issue for me with learning musical instruments for most of my life. I have always been better at wind instruments, which only required one active hand at a time. I could never play piano without my hands 'fighting' over the melody.
Finally, however - and at 35 years old, I managed to work it out. It was on the accordion of all things. I can't tell you a specific exercise I did, other than constantly forcing the fingers on one hand to play a different rhythm than the fingers on the other, even when not actively practicing.
I have no certain idea of what happened neurologically. My best guess is the practice eventually engaged the right synapses. But I can tell you I was losing hope, and one day it just clicked.
My best advice is not to practice each part separately so much as very slowly with carefully monitored tempo. It's all about the timing.
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