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Hoots : Musicians Unions In The Modern Day Historically, the AFM was the place to be to get anything done with music performance; or so that's what I heard growing up. But I don't hear much about it now. This was even the case - freshhoot.com

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Musicians Unions In The Modern Day
Historically, the AFM was the place to be to get anything done with music performance; or so that's what I heard growing up. But I don't hear much about it now. This was even the case while I was working on my undergraduate degree in music performance surrounded by professional performers.

I understand it provided some benefits, and protection like all unions, but in this privatized day and age, is it still worthwhile to have an affiliation with a musician's union? Do they offer benefits you simply can not receive without affiliation?

Are people being refused service because of being in one? Not being in one?

I purely want to see what benefits (or lack thereof) they offer to performing musicians.


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My essential list of organisations to belong to as a musician in the UK includes the PRS and PPL in order to be paid royalties (like ASCAP, BMI, and SESAC in the US) and the Musician's Union for the following:

Instrument insurance as Tim mentioned
£1million public liability insurance (quite important to a band with pyro...)
legal and contract advice
free hearing tests
free music industry seminars
free general guidance

And various other benefits including networking opportunities. I would assume the equivalent unions in other countries would offer similar.


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In the USA, orchestra musicians belong to the American Federation of Musicians as a matter of course. The AFM is location-based and oriented towards professionals such as studio, show and classical musicians. Other musicians can join AFM Local 1000. Check out the website for the benefits.


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Don't know about other countries, but in U.K. there's the Musicians' Union. As a member, I was entitled to £2,000 of instrument insurance, topped up if necessary, which was a nice thing to have. The M.U. habitually chased up promoters who still owed money for performances, and warned against bad promoters. On occasions, I could get a pro-forma for contracts for gigs. Some gigs needed all band players to be members, work for t.v., etc. A minimum fee was stipulated - but for 'ordinary' gigs, often undercut. Membership was free for those in full time education. An amount, £1000 I think, was available towards funeral costs for paid up members. Something to die for!


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