A weird form of Anacrusis
I saw this in a piece the other day and was wondering if there is a term for it. The piece begins on a trill that ends on the first beat of a a measure. The rhytm then mimics a upbeat yet there is actually none.
I'm wondering if this is a typical Spanish rhythms or something common to the Romantic era.
For reference here is the sheets.
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You are apparently confusing the notational peculiarity of an anacrusis right at the beginning of a piece (which is notated using a partial bar, usually without a bar number of its own) with the musical function of the anacrusis, a short leading phrase before its principal reference point, usually the beginning of a bar.
By far most anacruses don't interrupt an ongoing rhythm, the only slight exception being if they immediately follow a fermata. Even then it is unusual to not make the bar have its nominal length. Where that would not leave any room for the anacrusis, it's more common to add a full additional bar (starting with rests) rather than put down a double thin bar after the fermata and let the anacrusis start in a shortened bar right behind that.
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